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Sunday
Nov132011

What's going on

Well, I feel like I've neglected my website and blog - and therefore you, dear readers (oh, ok, reader) - a tad of late. 

So I just thought I'd add a quick post about some stuff that's been going on / is coming up.

Online gig - 6 December

Firstly, I've got an online gig on 6 December. I'll be previewing some new material, and playing my greatest, er, hits from Lady Gasoline and Twisted City. The gig is free but I will be passing a virtual hat around during it to raise a few bob for the Save the Children charity. To watch it, simply go to http://www.ustream.tv/channel/chris-singleton-live at 8.30pm on 6 December. 

For a reminder of the show, just go to http://www.ustream.tv/channel/chris-singleton-live#events and hit the 'Remind me' button.

New(ish) video

In case you missed it, I recently put out a cover of an old Beatles B-Side, Yes It Is, and made a rather odd video to go with it. You can check out the video at http://www.youtube.com/watch?v=MfwuMt9OF8E (do feel free to share, as ever!).

New album

I'm also in the middle of recording album 3 - it's going a bit slower than usual as I recently became a dad and have been a bit sidetracked! But I'm working with some great musicians on it and very excited about how it's all turning out. It's currently looking as though it will be an artrock concept album extravaganza. Will post some work in progress up as and when it's ready.

Blogging

Finally, I've been blogging a bit for Prescription PR recently, writing articles about music promotion in this weird new-fangled age of the online musician. If you're in a band or just generally interested in that sort of thing, do check it out at http://www.prescriptionmusicpruk.com/the-prescription/

Anyway, that's where I'm at for now.
Talk anon dear reader. 

 

Saturday
Jul302011

Computer says no: time to fear the algorithm?


When you are waiting at a red traffic light at a junction, a little algorithm – a formula or set of steps for solving a particular problem – is silently judging you. It’s working out how long you and other motorists have been waiting at the various sets of lights at the junction, how many pedestrians have pushed a button at a crossing, which road is the most important one, what time of day it is, how quickly you need to pee and so on. Based on these variables and what the algorithm makes of them all, you’ll either be waiting a short or a long time before you can stop cursing, uncross your legs, release the handbrake and move on (assuming, of course, that you’re the sort of person who uses the handbrake. There is a very good reason for using a handbrake whilst waiting at the lights, but that’s another, and perhaps rather boring, blog post).

Algorithms are in the news a lot at the moment, partly because a clever chap called Eli Pariser has written a book called The Filter Bubble about them. Annoyingly, this is a particular interest of mine, and he’s beaten me to writing a tome about it – but in my defence I’m a new dad and finding the time to write a blog post is very tricky, let alone attempting a book. For similar dad-related reasons, I haven’t got round to reading The Filter Bubble, but from what I can gather from reviews and an interesting TED talk he gave recently, Parisier’s focus is on how algorithms are used online. More on that in a moment, but first it’s worth pointing out that algorithms are nothing new – they’ve been around for donkey’s years, and are as much an offline phenomenon as an online one. Healthcare professionals use detailed algorithms to examine symptoms and establish courses of treatment; call centres use them to evaluate your response to certain questions and ascertain what crap to sell you. If you’ve got a Volvo it will probably tell you off for starting the engine without putting your seatbelt on, and if you get in an elevator, it will hopefully take you to a floor which corresponds to the button you press. In their simplest form, algorithms are little flowcharts which ‘process’ a situation – or you. If yes, do this; if no, do that.

All the above examples seem rather mundane – and unless you’re particularly into the electronics in a Volvo, they are. But lately, algorithms have taken on a new importance. As with most things, the internet has sort of ‘turbo-charged’ them: it’s made them (a) more sophisticated and (b) far more prevalent, to the point where it’s virtually impossible to do anything online without encountering an algorithm that is doing its very best to make you take a very particular course of action. You are probably only reading this blog post because Facebook or Google used an algorithm to process you – or your search query – in a very specific way and decided that this article was for you. If you’re reading this in the south of France, you may well be there because when you perused the Ryanair site, it did some sums and thought that offering you a so-called free flight to Nice was a good idea. If you’re staying in a four star hotel in Nice you may be there because when you searched for hotels in the area, an online advertising algorithm pointed you in the direction of a cheap deal on four star hotels in France. Personally, if I was in a four star hotel by the Mediterranean, I wouldn’t be reading a blog post about algorithms, I’d be doing something more interesting, but there you go.

Algorithms helping you get cheap flights seems pretty harmless; a good thing, right? Perhaps, depending on what you make of global warming. However, online algorithms are not just benign little bits of code that help you find stuff you like; they are often rather more sneaky than that. If you use Gmail to read your emails, Google’s algorithms are reading them too, and displaying adverts to you based on the things – however sensitive or confidential – you are discussing in the mail. If on Facebook you casually mention that you are a bloke and list yourself as ‘single’ (yes, I know, as if anyone ever does that casually), you will see a plethora of attractive big-breasted ladies beside your news feed, all enticing you to visit their dating website, where of course all the ladies are as attractive and big-breasted as the girls in the ads. Not that I would know. If you visit an insurance website, a series of algorithms will track your every click and change the content of pages in real time to ensure that you only see the policies you are most likely to buy. If you search for a product on eBay, an algorithm will take note of this, put a ‘cookie’ on your computer (without asking you), and you will see a shedload of adverts for that product when you visit other, completely different websites. This is perhaps why, when I turn on my computer after my partner has been on Ebay, I see countless adverts for Cath Kidson products wherever I go online, and if I’ve been using her laptop, all she will see is guitars.

This is all about personalisation: very big, powerful companies filtering content and showing you stuff based on who they think you are. (And to be fair, they’ve got a pretty good idea. Every time you clicked that little ‘like’ button on Facebook, you told it you are into Ann Summers products, Tom Jones and Pizza Hut. Hence the constant ads for sexy Welsh pizza). It’s not because these companies particularly want to make the web experience better for you – although sometimes, this is a side-effect – they really just want to sell you something. But either way, personalisation algorithms are now being employed on an industrial scale, to the point where to use the internet is to be pushed hard, and in a sophisticated way, in a certain direction. And the interesting – perhaps disturbing thing – is the effect this is having on our worldview and behaviour.

Let’s take a look at worldview: it will come as no surprise to anyone who reads my blog, or has the misfortune to be subjected to my Facebook status updates, that I’m an outspoken pinko-lefty-liberal type. But I’m a tolerant guy, and I have some conservative friends. However, I’m unlikely to ‘like’ their status updates about so-called benefit scroungers or click on links they post to Daily Mail articles. Equally, my conservative friends probably won’t be too keen on my rude status updates about David Cameron or the links to Guardian editorials that I post. However, I am quite likely to click on other people’s left-leaning posts, and my Tory cousins will no doubt hit ‘like’ every time somebody whinges about a mythical gold-plated public sector pension, calls for the return of the death penalty or wants to privatise the NHS.

These kind of social interactions have consequences for Facebook users. This is because the network makes use of an algorithm called ‘Edgerank’ to determine what to display in users’ news feeds. Without going into too much detail, it takes three variables – ‘affinity’, ‘weight’ and ‘time’ – to make a call on what pieces of content are relevant to each Facebook user. With the examples highlighted above, it will conclude that ‘right-wing’ posts are less relevant to me, and that ‘left-wing’ posts are less relevant to my conservative chums. And it will edit them out of our respective news feeds. This is truly a shame, as it means I can’t wind up my conservative friends any more. Rather more importantly, a valuable exchange of ideas is no longer taking place. Despite all the sharing of information and views that Facebook was meant to bring, every time I use it, a piece of maths is effectively hiding content from me. Not just me: 500 million or so Facebook users who are looking to it for information 20 times a day, 365 days a year. And the overwhelming majority of these have no idea at all that Facebook is taking such an active role in deciding what they should see. I’m no social scientist, but I’m sure this kind of filtering of content applied on such a huge scale cannot but have a significant impact on how people see the world. 

This algorithmic, personalised filtering is not restricted to social media news feeds. It’s now crept into search results. Up until fairly recently, you could be fairly confident that if both you and your friend searched for Russian brides on Google, and you both lived in the UK, you’d get exactly the same results. However, about a year and a half ago I started noticing – not, I must stress, as a result of searching for Russian brides – that when I searched for the same thing on Google, but in different contexts, that the results were very different. By different contexts I mean searching for the same thing

  • on more than one computer
  • when I was logged into my Google account, or when I was not logged into my Google account
  • after clicking a particular search result
  • in a different geographical location.

This was a bit of a headache, as at the time I was doing a bit of freelance work involving search engine optimisation for a music site and I kept getting multiple sets of results for the exact same keywords. It turns out that Google had started doing the same thing as Facebook – looking at a whole load of variables relating to me and making assumptions as to what floated my boat, rather than giving me an impartial set of links. In his TED talk, Parisier highlights this filtering extremely effectively, by describing an experiment where he asked a few of his friends to google ‘Egypt’ and send him a screenshot of the results provided by Google. The screenshots all varied enormously – Google had personalised the search results to the nth degree for each of his friends.

It’s worth noting however, that personalisation isn’t restricted entirely to online algorithms written by big powerful corporations; in a sense, we also write our own. Here’s an example of how. These days I mainly read the news on a smartphone. I'm going to come across as very bien-pensant here, and perhaps a bit of a knob, but my two news sources of choice are the BBC and The Guardian – and I "consume" (eughh) news via two apps that I’ve downloaded for my phone. Both these apps let me select exactly what content I want to appear when I open them. So, when I’m reading the news, I’m presented with content to do with politics, comment, technology, music and whatnot – and generally speaking not much fashion, showbiz and sport. But when I used to buy a newspaper, I would read it from start to finish, meaning I was invariably exposed to – and would read – a much wider range of stories. With news apps, even though they don’t use any surreptitious personalisation filters, they subtly encourage users to apply their own personalisation filter. The upshot is arguably a narrower view of what’s going on, despite there generally being more content available to browse.

So should we be worried about all this filtering that’s going on? Yes. Because it means that the internet is changing in a profound way. Traditionally the web has been (justifiably) viewed as a tool that

  • widens access to information
  • provides an ‘impartial’ way of sifting through information
  • increases transparency.

But now, the two major prisms through which people see the online world – arguably Facebook and Google – are throwing the above notions out the window. Facebook is actively restricting what people see in news feeds, based on perceived taste. Google’s results are no longer impartial – they’re personalised. And both services have not been at all transparent about how this filtering is / has been applied, or how to switch personalisation off.

And that’s just Facebook and Google – a multitude of sites are going down the personalisation route. It’s the Next Big Thing on the web. And when it gets to the point that every site you visit is running an algorithm that shows you ‘relevant’ information only after it has checked your IP address, cross-referenced its content with what you searched for on Google recently, examined your Facebook likes, scanned your computer for cookies and checked out that Russian brides website you were perusing the other day, the internet can no longer be considered a 'source' of information. It will be a gatekeeper far, far more powerful than Rupert Murdoch, and one that you can’t haul before parliament – or throw a foam pie at.

More Chris Singleton content

Friday
May272011

The end of the download is nigh

If internet rumours are to be believed, June 6 2011 may possibly be the music industry’s equivalent of “The Rapture” (for those of you who haven’t been on Facebook recently, or have been living in a hole in the New Forest, "The Rapture" was beginning of the end of the world, and was supposed to happen on May 21. Nothing of the sort happened, unless you are reading this on a cloud with Jesus or you are feeling rather hot and can’t concentrate on this article because a devilish imp is poking your bottom with a pitchfork). Of course “The Rapture” turned out to be a damp squib, but June 6 is more likely to live up to its reputation as being a day on which the music industry will change forever.

So what’s happening on June 6? Well, according to a multitude of newspaper articles and blog posts, it’s the date that Apple may unveil their ‘cloud service’ – a system that lets listeners stream music from the web. Now, as the cloud service in question hasn’t been unveiled yet, it’s not clear what form this is initially going to take. It could be that Apple are simply going to offer something similar to Amazon and Google’s new cloud systems, which allow you to upload and stream your music collection on the web, wherever you are.

But frankly, that’s a pretty boring approach, and unlikely to be what Apple’s “cloud offer” will be. If rumours are to believed, Apple have been working hard to secure licensing agreements with the “big four” record companies – Warner Music Group, Sony Music Group, EMI Group and Universal Music Group – which means all this is heading in one direction: a streaming service similar to Spotify’s, where listeners will eventually be able to stream whatever music they like (for a fee, of course).

If Apple does go down this route, it means that an en-masse switch from paid-for downloads to on-demand music streaming is now just around the corner – the rise of 3G web connections, increasing use of smartphones and Apple’s 75%-85% share of the download market would more or less guarantee that streaming becomes the de facto way that music is consumed. If Apple release a software update for iTunes containing streaming functionality, millions of iPod, iPhone and computer users in general all around the world would suddenly be able to stream music instead of paying to download files. The choice of tracks would be vast – significantly bigger than Spotify’s library, due to full music industry buy-in – and the reach of the service would be enormous too, thanks to Apple’s strong global position in both the download and mobile device markets. All this would arguably result in death of the download, and pretty quickly too.

What would be the impact of this on musicians? Well, for bands who are signed to a label and getting a significant marketing push, it would be fairly good news – it makes their music even easier to access. For musicians without a budget however, it would represent more of a headache. This is because streaming removes the attractiveness of a key tool used by musicians to entice people to sign up to email updates: the free download. For several years now, indie musicians with any clue whatsoever have been giving away downloads in exchange for the ability to communicate with fans online – with individual tracks, EPs or even albums being swapped for email addresses or Facebook ‘likes’. However, there is not much of an incentive for a potential fan to grab a free download from a band if a) they don’t really download music anymore and b) the track can be streamed anyway on iTunes.  

The free-download-for-email-address scenario that we’ve seen over the past few years has led to a situation where clued-up independent musicians have, to a certain extent, been able to bypass traditional gatekeepers – labels, journalists, distributors, promoters and radio stations – yet still make quite respectable amounts of money from music via direct-to-fan sales. Perhaps it’s a negative way of looking at things, but with downloads diminished as an incentive for joining a mailing list, indie musicians will be able to communicate directly with fewer and fewer listeners online; so ironically, technological advancement may lead us back full circle to a situation whereby only those with serious budgets can introduce consumers to new music - and create any demand for it.

But if you are an indie musician who has built a business model on free downloads, and all this does sound like the end of the world, don’t despair yet. Pretty much every technological development in the music industry has shut one door only to open another; and with all these developments, the trick is to stay ahead of the curve. The musicians who twigged that free downloads helped build databases first built the biggest databases (and sold the most music and merchandise); and it will be the musicians who twig how best to use streaming cleverly who will monetise the new landscape. The trick is to think fast. But the end of the download is nigh – get ready.

 

I originally wrote this article for Prescription PR, who are a great indie music PR company based in Cambridge; musicians in need of publicity, check 'em out. 

More Chris Singleton content

Wednesday
May182011

Soundcloud goodies

A quick note to let you know that I'm trying to move with the times online - a near-impossible feat given how many new music-sharing, video-sharing, sock-sharing, wife-swapping and other sorts of sharing sites appear on the net every week. 

Anyway I've done something which I've been meaning to do for a while, and that's join Soundcloud. I've admired it from afar for a bit, but just have been too bloody busy to set up a profile. But I've finally got round to it and you can listen to some stuff over at http://soundcloud.com/chrissingleton. Amongst the 9 uploads currently on my profile, there are 3 free downloads available - two podcasts (about 'Lady Gasoline' and 'Twisted City') and a track called 'Somebody's Shoes' - an acoustic number I recorded back in the early naughties (God, that makes me sound old). You'll also be able to stream some 'Lady Gasoline' songs.

Anyway, enjoy the profile. As the weeks go by I'll be using it to whack up demos of new material. If you're on Soundcloud, do follow me and whatnot; I'd be very grateful. I might even follow you back, if you're not an interent weirdo who wants to swap a wife or share a sock.

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Monday
Mar282011

The Alternative March for the Alternative

On Sunday, we stopped at some services just off the M1 where I bought a bottle of Sprite. Whilst paying for this overpriced but - due to a rather bad hangover - much needed fizzy liquid I took a quick glance at the shop's rack of Sunday papers.

Unsurprisingly, most of the front pages were covering the 'March for the Alternative', the anti-cuts protest which saw 250,000 or 500,000 people (depending on whether you believe the Police or the protest's organisers) march through Central London in protest against the very deep cuts to public services.

I was one of those protestors, and although I have a large beard at the moment, it is more by accident than design, so before you ask I am not a hippy, a trade union member, a communist, an anarchist or even in Red Ed's Labour Party. I will possibly own up to being a beardy weirdy, circa 1969-71, but that's probably more to do with taste in music than politics and the look I'm going for with my next record. Mainly I was there because like a lot of dudes, bearded or no, I'm quite fond of British public services.

Anyway, enough of the beard stuff. Where was I? Oh yes, in a service station, bottle of Sprite in hand, hungover and looking at examples of fine British journalism. I was expecting the papers to cover the march in a negative light - but I really wasn't expecting there to be quite such a disparity between what actually happened on Saturday and what was being reported. I and the other 249,999 or so peaceful protestors might as well have been on another march, on another planet; certainly not at the event that was being written about on the front pages of virtually every one of the respectable British newspapers I was looking at (if that's a correct way of describing them; last time I looked most British newspapers seemed to be owned by foreign, rich, eccentric tycoons, but that's another day's moan).

The event that the press was portraying was one of anarchy; violence; chaos; war. Yes, there was some violence, for which 149 people were charged. That is, on the Police figures, 0.06% of the total turnout, or, based on the organisers' figures, 0.03%. Either way it would appear that 99.94% to 99.97% of those protesting were not charged with any wrong-doing or violence. It was an overwhelmingly peaceful protest, and all of us aforementioned peaceful people were angry  - in a peaceful way of course - that some idiots had disturbed our, well, peacefulness.

Maybe it was too much to expect that a paper of record, The Sunday Times, might make more of the fact that hundreds of thousands of British people from all walks of life came out to protest against their own government than that a profoundly small minority caused violence. Or that so-called 'quality broadsheets' would focus exclusively on 'carnage', 'battles', 'chaos', 'violence' and accompany these lurid descriptions with pictures of an unruly but entirely unrepresentative mob. What was being reported was not the 'March for the Alternative', but some weird 'Alternative March for the Alternative', completely at odds with reality.

But whilst I was irritated by most of the coverage, one front page actually made me feel genuinely sad. The Sunday Telegraph had a huge picture of a policeman being attacked by some guy with a stick, accompanied by the headline 'Britain's Face of Hatred'.  

This picture and headline instantly and deeply undermined up to half a million people, from all sections of British society, from all age groups and from all backgrounds, who had come together and marched not out of hatred but in support of an idea that is arguably the polar opposite of hatred: the idea that we are, to coin a phrase, 'all in this together'; that public services matter; that they transform lives for the better; and that they should not be slated, sacrificed and privatised because of the huge greed of the banking sector. Even if we who were marching in support of public services are profoundly misguided, and the controversial austerity measures are going to eventually solve all of Britain's economic problems, we were not remotely marching out of hate; we genuinely believe that public services are a force for good that make lives better for millions - and that every step should be taken to protect them and fund them properly. Idealistic, perhaps, but not hateful.  

The Sunday Telegraph's front page will have been seen by countless other hungover guys in motorway services all across Britain. Or people popping to the corner shop for a pint of milk. And for millions this in-your-face, out-of-context image will give a lasting impression that the March for the Alternative was a march for hatred. But it's not how the event was, or what it was about. 

I took another snap of the 'March for the Alternative'. It's unlikely to be seen on the front page of a newspaper; it will probably go no further than the little band of devoted and perhaps unfortunate readers who read my scribblings. But it's a picture which tells the story of the day in a much more honest way, and shows what it was about. You can take a look below.

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